By Maria Dianela Torres Valencia
How can we link the landscape and the music of cinema? With this in mind, this essay shows the formal relationship between the cinematographic montage of landscape and music based on a film by Artavazd Peleshyán. If the landscape and the human being are a cyclical totality, the work in the field has a dialectical relationship which is both sensory and rhythmic with nature. Thus, geography and climate are presented as a being-environment in an audiovisual sense.