By Mónica Delgado

Both Petite Maman, by the French Céline Sciamma, and What do we see when we look at the sky?, by the Georgian Alexandre Koberidze, allow us to measure a sensitivity from the programming of festivals in relation to the pandemic crisis, which in addition to being economic, is also emotional. Is it that, from now on, films that show more than the optimistic future of humanity will pour over us? Are now these films of guilt and tragedy or those of beautiful human warmth “necessary” films?