By Mónica Delgado

For the very first time in the history of Cannes, a South Korean film wins the Golden Palm. The merit of this is indisputable, since this is one of the best films in Bong Joon-ho career (maybe only comparable to the feat of Memories of Murder, in 2003), a bittersweet comedy that stablishes him as a filmmaker who still delivers creativity to any genre he chooses to do (drama, thriller, monster movie or science fiction).