Last Tango In Paris

Last Tango In Paris

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Main Articles

BERTOLUCCI’S “FAKE OPHELIA”

By Luke Scerri

It is an unfortunate undeniable occurrence that in film criticism, the importance of the musical contribution to the transformation of the art form is quite often overlooked, or underestimated because of several other factors that seem to strike the viewer at first glance. Bertolucci’s Last Tango In Paris is certainly no exception.

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