Mehdi Dehbi

Mehdi Dehbi

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Main Articles

PANORAMA: MESCALINE BY CLARISSE HAHN

By Jose Sarmiento Hinojosa

Clarisse Hahn is no alien to foreign territories. For years, she was personally involved in documenting the phenomena of migration, identity and post-colonialism. Hahn’s bodies are an element of intrusion, a physical manifestation of resistance against the apparatus of power. In her documentaries, the skin is explicitly symbolic: deprived of every right, the last human resource lies in what is intrinsically theirs, what can’t be stripped off, the biological equivalent of a shield, or a banner. In this exploration of the flesh, the organic is a particular vessel for sexual manifestation, or political struggle.

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