By Stephen Broomer
In his own filmmaking, Pablo Marín has pursued several forms; his early experiments in décollaged 35mm Hollywood film trailers gave way to Super 8 and Single 8 ‘camera roll’ films, approaching what is conventionally regarded as a home movie format with the seriousness that art demands, a seriousness of task that, in Marín’s films, is riddled with play, comic punctuation, a necessary casualness of composition (casual in the sense of the diaristic idiom), an openness to meaning.