By Mónica Delgado

A few days ago the 67th edition of the International Short Film Festival Oberhausen culminated, which was held in a dual edition, and whose programming covered several recent short films, some of them experimental. Among them, I highlight the recent work Son Chant (2020) by the American filmmaker and curator Vivian Ostrovsky, who was born in New York, grew up in Rio de Janeiro and currently resides in Paris.