Por José Sarmiento
Aunque ha mantenido viva, en gran medida, la esencia de su trabajo experimental, en Ste. Anne expande sus métodos, sus intereses primordiales sobre la idea de la deconstrucción, teniendo a la ruina como elemento fundamental para desencadenar su proceso creativo y su propia relación vital con la materialidad del cine.
By José Sarmiento Hinojosa
This idea finally gave materialized in Ste. Anne (2021), Rhayne’s first feature film and also her first venture into narrative experimental fiction. Though she has kept alive very much what is the essence of her experimental work, in Ste. Anne there’s an expansion to her methods, her primal interests on the idea of deconstruction, the ruin as a seminal element that triggers her creative process and her own vital relation with the materiality of film. This is manifested through a connection that is expanded:
Director: Mónica Delgado Ch.
ISSN 2311-7451
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