Addison Riecke

Addison Riecke

Cannes

CANNES 2017: THE BEGUILED BY SOFIA COPPOLA

By Mónica Delgado

The greatest merit of The Beguiled lies in how Coppola constructs the relationships between women, through silences or simple and suggestive dialogues that avoid evilness, and bets for an atmosphere of power plays, where the photography unveils this darkness that the actions repress or hide.

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