By Tristan Teshigahara Pollack 

For this year’s Tribeca Film Festival, I found myself in a inevitable quandary: there were too many films to choose from a festival that often gets dubbed the world’s leading cinema commodity. There may be some truth to that claim, however, we can not accuse the festival for dismissing some of the most neglected films in world cinema and (more recently) experimental filmmaking – last year’s festival saw the premier of Amir Naderi’s Cut amongst many other films.