by Chloé-Galibert-Laîné

Having discovered IFFR for the first time this year, I can’t comment on the evolution of the program over years, or the specificity of this 2018 edition. And I regret it: I would have loved to be able to measure the impact of the overall insanity of 2017 on this year’s productions, as well as on the curatorial choices of the festival’s programmers.