Berlinale
BERLINALE 2017: ULYSSES IN THE SUBWAY DE MARC DOWNIE, PAUL KAISER, FLO JACOBS, KEN JACOBS
By Tara Judah
For me, the affect of 3D holds a specific fascination, as it constructs real life dimensionality (between the viewer and the surface of the screen) from the images (the (re)presentation of something that exists) to create cognitive and theoretical interpretation. So, while immersion may be one way to talk about the affect of 3D, so too might the relationship between the aesthetic pursuance of the ontology of what it (re)presents: an historical, indexical real.