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PERILS, MUTINY AND MAYHEIM BY ABIGAIL CHILD
By Tristan Teshigahara
The reconstructive collage films of Abigail Child do not inject themselves with political context, docufiction form, or profound cinematic meaning.
By Tristan Teshigahara
The reconstructive collage films of Abigail Child do not inject themselves with political context, docufiction form, or profound cinematic meaning.
Directors:
Mónica Delgado Ch.
José Sarmiento Hinojosa
ISSN 2311-7451
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