AGNÈS VARDA’S QUEST FOR ‘ULYSSE’: NAMING THE GUILTY THROUGH IMAGES, MEMORIES AND TIME
By Andrea Aramburú
Put yet another way, in Ulysse, Varda sets out on quest to construct a film caption for ‘Ulysse’, and she does so by meditating on her own process of creative production through a recollection of images, represented by the photographic stills; memories, her own and those of her models; and, finally, temporalities, by placing her image within a historical lapse.