Andreas Horvath

Andreas Horvath

Críticas

GIJÓN 2019: ROUNDS, BABYTEETH, LILLIAN Y LIBERTÉ

Por David S. Blanco

La vuelta de uno de los nombres más interesantes de la sección oficial de Gijón 2017, era uno de los acontecimientos marcados en rojo para este año. El director búlgaro Stephan Komandarev, que ya me conmovió con la interesantísima Destinos, repite en 2019 con una cinta idéntica en cuanto a estructura formal, pero mejorada

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Diagonale

FESTIVAL OF THE AUSTRIAN FILM 2016: DIAGONALE

By Claudia Siefen*

Fade-in, fade-out. Do you remember those early cuts, that were made in the camera. This kind of editing could allow for some early special effects. In earlier movies he made at the turn of the century, Georges Méliès for example stops the camera after detonating a magic puff of smoke in front of his actor, then begins the camera again after the actor has left the stage, and has so magically vanished.

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