By Tanner Tafelski

Ramona has a slim suggestion of a story with the relief that there’s no dialogue in the short at all. The focus is on Cre?ulescu’s controlled aesthetic. Unlike Bad Penny or Kowalski, which exclusively feature men, this film has a female protagonist, a blonde in a beige trench coat and red heels who executes methodical, calculated murders—all of whom are men—over the course of a night and a morning.