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En español

PANORAMA: TRES CORTOMETRAJES DE LAURA WADDINGTON

Por José Sarmiento Hinojosa

“Si te dijera en donde he estado no me creerías” dice Laura Waddington en CARGO, mientras el CCD de su pequeña cámara digital revienta contra las imágenes de un hombre en altamar, un acercamiento que deviene en casi una abstracción pictórica, una manifestación de la soledad y la desesperanza.

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Cannes

CANNES 2018: A BALANCE

By Mónica Delgado

It’s been over a week since the Golden Palm was awarded to Hirokazu Kore-eda Shoplifters, an event which closed a festival that kept its classics leitmotivs in a low key: miserabilism, cruelty or the overrating of a cinema with messages and big issues had its few peaks. Even if this year the program was better in quality compared to other edition, the jury, presided by Cate Blanchett, was discreet when awarding common themes, like the award given to the unambitious Kore-eda film, a plain family drama without any major stylistic attributes. Point aside was the jury prize to Capharnaum by Libanese filmmaker Nadine Labaki, a fact which confirm that despite the good films that made this a noble edition, remains a liking for the kind of films that look to edify consciences through stories of misery, war and refugees.

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