By Mónica Delgado

In Brown and Clear (2017), Kevin Jerome Everson turns again to a minimalistic style, a register that finds a support in grain and closeness as an ideal way to deepen in the details of the quotidian. Little by little, from actions that could be seen as laughable from simple sight, constructs complex significates about the workplace and the social, looking to achieve, from simplicity of resources, a whole mechanism to auscultate a hidden America.