
CINÉMA DU RÉEL: UN SOUVENIR D’ARCHIVES BY CHRISTOPHE BISSON
By Monica Delgado
How to establish a relationship between memory, archive and the present that escapes the usual common meanings of historical documentaries? How to approach the biographical genre without appealing to the classic narrative elements where the interpellation is left out? How to describe the sensitivity and baggage of the archivist in this process of recovery and reinterpretation of memory