By Mónica Delgado

To enter the universe of filmmaker Julio Calasso for the first time has not been an easy feat. Especially since his Death’s Long Way (Longo Caminho da Morte,  Brasil, 1971), presented in Olhar de Cinema, in the section Classics, in its remastered version, generates a series of questions towards the validity of some works, the reasons for their aging or the styles that were used in those years, above any inventive initiative or creative freedom.