By Claudia Siefen
From his early works he adopted the aesthetics of the unobserved, the genuine. In these actions that appeared to be natural Kore-eda brought his observations to the boiler, every movement and every word, sharpening the vision of the eye for the film setting at the same time. But he also is constantly questioning everything we are shown on the big screen. Because everything that we see is only “everything“ that the director allows us to see. There is a blankspace between everything that is shown and the observation itself.