By Victor Bruno
Over the last few months—starting with the release of Ricki and the Flash (2015) on home video—I developed an interest in Jonathan Demme’s cinema. As I watched his films, I developed a few ideas and scratched some notes on them about his ideas, interests and general style. That, by coincidence, happened to coincide with shifts on ideas of my own. Some of these notes were abbreviated and became my entry on MUBI’s Notebook fantasy double-feature pool.