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PANORAMA: ON KEVIN A. RAUSCH’S “BEST EGYPT”
By Claudia Siefen
Rausch’s paintings are always sedimentations of materiality and results of an intensive process-oriented energy. Despite all its seductive depth suggesting a landscape space, his canvas is primarily a field of trails and traces. The painter Rausch gets to work spontaneously and with a heightened physical energy: the same goes for the film director Kevin A. Rausch.