Knives and skin

Knives and skin

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PANORAMA: KNIVES AND SKIN BY JENNIFER REEDER

By Mónica Delgado

In Knives and Skin, american filmmaker Jennifer Reeder returns to the motifs of several of her short films, that from some years now share a trademark of rarefied atmospheres, neon and glitter, to embody feminine adolescent universes. If in the remarkable A Million Miles Away (U.S., 2014), it’s a song from Judas Priest, You’ve got another thing coming, that becomes the reverse of the usual adolescent angst (in the voices of a choir class in a public school), here in her most recent feature, some eighties’ songs from New Order, Modern English or Naked Eyes acquire also the inner dimension of dissatisfaction or strangeness.

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En español

PANORAMA: KNIVES AND SKIN DE JENNIFER REEDER

Por Mónica Delgado

En Knives and skin, la cineasta estadounidense Jennifer Reeder vuelve a los motivos de la mayoría de sus cortometrajes, que desde hace algunos años vienen proponiendo atmósferas enrarecidas, neón y brillantina, para darle cuerpo a universos adolescentes femeninos.

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