Korakrit Arunanondchai

Korakrit Arunanondchai

Críticas

DOCUMENTAMADRID 2018: WITH HISTORY IN A ROOM FILLED WITH PEOPLE WITH FUNNY NAMES 4 DE KORAKRIT ARUNANONDCHAI

Por Mónica Delgado

En esta edición de DocumentaMadrid se presenta este cortometraje tailandés ganador en Rotterdam, que forma parte de una serie de trabajos del artista visual y performer Korakrit Arunanondchai. Esta cuarta parte, que surge del original Painting with History in a room filled with men with funny names (2013), mantiene los motivos estéticos que definen el estilo del artista: yuxtaposición, uso de textos y narración en off poética y reflexiva, que por momentos recuerda a la estética abusada de un Terrence Malick.

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Film Festival Reports

IMAGES FESTIVAL 2018: HIWA K, KORAKRIT ARUNANONDCHAI, RHAYNE VERMETTE, SYLVIA SCHEDELBAUER

By José Sarmiento Hinojosa

In the realm of identity, being confronted with the crude reality of the world we’re inhabiting may be birthing a sort of cognitive dissonance: we’re not what we used to be, or we must switch our identities in order to survive. Hiwa K and Korakrit Arunanondchai take two very different approaches on the subject, one could say approaches that emerge from the uncertainty of representation.

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