Leto

Leto

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Cannes

CANNES 2018: LETO BY KIRILL SEREBRENNIKOV

By Mónica Delgado

Leto poses a lecture on the creative processes from a clean point of view, meaning that it doesn’t avoid the common sense of stormy romances but bets for a history of rockers and narrates it with atypical components, without any scandalous scenes of overdoses, suicides or violence.

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Cannes

CANNES 2018: LETO DE KIRILL SEREBRENNIKOV

Por Mónica Delgado

El quinto film de Kirill Serebrennikov, que compite por la Palma de Oro en Cannes, recrea los inicios de la carrera del icono rock ruso, Víktor Tsoi, a inicios de los años ochenta, tomando elementos de la ópera rock, el musical, y el biopic.

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