Mary Helena Clark

Mary Helena Clark

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Film Festival Reports

TIFF 2018: WAVELENGTHS. THE GLASS NOTE & WORDS BY MARY HELENA CLARK, PLANETS BY LAIDA LERTXUNDI

By José Sarmiento Hinojosa

The crushing of lemons, a welcome parallel (an imagined parallel, to be honest) to the manipulation of the possibilities of cinema. Laida Lertxundi, as many other filmmakers in her camp without a proper formation in cinema, has achieved the freedom of a person who manipulates an object the first time it sees it without knowing what it is. This possibility, this immense advantage for the eye, has gave her particular brand of cinema a certain liminality between the discourse and the image, the object and the subject matter.

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