By Mónica Delgado

We’re all Sailors (Todos Somos Marineros) has, in its first minutes, one of the most fascinating sequences seen in recent Peruvian cinema. Like waking up in a sinuous atmosphere, filmmaker Miguel Angel Moulet submits us, like one of his lead characters, to a sensation of disconcert, inside a ship of claustrophobic green, gray and blue tones. After this sort of abrupt awakening, of an unfinished dream, we witness the story of a group of Russian sailors which have been stranded in their ship for weeks, in some port in Chimbote, north of Peru