By Tara Judah

The prolific Miike Takashi directed five other films in the two years (2014 and 2015) since the first instalment of his live action adaptation, The Mole Song: Undercover Agent Reiji (2013). Returning now to the titular bat-shit cray undercover cop character, created as a manga series by Noboru Takahashi, Takashi has created something exhilarating and messy.