By Mónica Delgado

In Scaffold, Kazik Radwanski affirms himself as a filmmaker interested in working with detail the out of field, relating it to a social radiography. Shots of fragments are taken, to give testimony about the situation of migrant workers in a Canadian suburb, where beyond the empathy between the outsiders and the people of the inside, an assembly of a dispositive of close ups of hands and actions is proposed, to avoid faces and gestures.