By José Sarmiento Hinojosa

Experimental filmmaker Jessica Sarah Rinland (Argentina, UK) has been building a personal project for at least ten years, a project that expands itself in more than fifteen short films, photography, installation and object-books. Rinland’s work covers a universe of meta-fictional representations, where the image becomes an accomplice of a documentalized fiction, an eye over personal universes and cosmos that unravel under her 16mm lens.