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Main Articles

ON Hi-8/DIGITAL AND THE INTIMATE: THE FILM DIARIES OF ALAIN CAVALIER

By José Sarmiento Hinojosa

When we watch the first minutes of La Recontre (1996), it seems that we’re confronted with a revolution: digital cinema has merged with the home movie, and they both have reached a new narrative language in which the immediate recollection of images through the analogue system provides the filmmaker with the immediacy and urgency of what needs to be captured.

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