Polly One

Polly One

Crossroads

CROSSROADS 2019, PROGRAM 3: OTHER VOICES, OTHER ROOMS

By Wilmer Zumarán

The films of the Program 3, Other voices other rooms, of the Crossroads Film Festival 2019 are very heterogeneous among them. However, they have as a common denominator a particular position on the look, the image, the representation. These are films that impose a way of seeing cinema that works in turn as a political stance against the hegemonic gaze. They are films that seek to denaturalize the way we have become accustomed to feel, that question our experience.

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Film Festival Reports

TIFF 2018. WAVELENGTHS: POLLY ONE BY KEVIN JEROME JEFFERSON

By Mónica Delgado

Unlike other experimental filmmakers that have shown a fascination for the eclipse as a metaphor of the auscultation of cinematographic support in in its materiality (a reality superimposed to another, like the position of the stars), in Polly One, Kevin Jerome Everson captures the intensity itself of this phenomena of the skies to take it to the possibility to become real spectators of an event of this nature that it’s barely intervened.

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Críticas

TIFF 2018. WAVELENGTHS: POLLY ONE DE KEVIN JEROME JEFFERSON

Por Mónica Delgado

A diferencia de otros cineastas experimentales que han mostrado fascinación por el eclipse como metáfora de la auscultación misma del soporte cinematográfico en su materialidad (una realidad superpuesta a otra, como la interposición de los astros), en Polly One, Kevin Jerome Everson capta la intensidad misma de este fenómeno celeste para liarlo a la posibilidad de ser espectadores reales de un suceso de esta naturaleza que apenas es intervenido.

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