
CANNES 2014. DARKER THAN MIDNIGHT BY SEBASTIANO RISO
By Mónica Delgado
We’re in the eighties, and the film opening talks about a pubescent kid, of red curls that seems very much like Tadzio of Visconti’s Death on Venice, and who appears singing under the influence of his inspiration figures: David Bowie, Lou Reed and other icons of rock in posters glued to the wall of his secret corner.