
Main Articles
APPROACHING THE CINEMA OF PRIVACY OF SUZUKI SHIROUYASU
By Claudia Siefen
That concept of “phenomenon” exists inside the work of Susuki. Some things don’t appear as a phenomenon, but they get recognized as such once they unfold in a definite way. Of course Suzuki deals with his own self as a phenomenon. His interest in the “extremely private” originates from the idea that universality can be obtained, depending on the approach he takes in developing himself as that phenomenon.