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Cannes

CANNES 2017: WESTERN BY VALESKA GRISEBACH

By Mónica Delgado

The border between Bulgaria and Greece serves as scenario of an intense drama, something which comes as different from Valeska Grisebach’s measured style. A German worker and his confrontation and latter acceptance from a rural community due to the language and local customs, that’s the argument of this Austrian film that opened with big expectations in the Un Certain Regard section at Cannes.

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Cannes

CANNES 2017: WESTERN DE VALESKA GRISEBACH

Por Mónica Delgado

La zona de frontera entre Bulgaria y Grecia es el escenario para un drama intenso que contrasta con el estilo mesurado que Valeska Grisebach. Un trabajador alemán y su confrontación y discreta aceptación en una comunidad rural debido al idioma y las costumbres e identidades locales es el argumento central de este film austriaco que abrió con bastante expectativa la sección Un Certain Regard en esta edición de Cannes.

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Q&A

Q & A: ALEX COX

By John A. Riley and Mónica Delgado

“I’d like to shoot a different ending for Sid and Nancy, too. But I’m less fond of that film. Straight to Hell was always one of my favourites and revisiting it, playing around with it, making it more bloodthirsty and giving it a different colour treatment and more skeletons and reinserting the deleted scenes… it was a real treat”.

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