Sara Cwynar

Sara Cwynar

Críticas

ROTTERDAM 2022: CORTOMETRAJES DE LA COMPETICIÓN AMMODO TIGER (PARTE 1)

Por José Sarmiento Hinojosa

De lejos, mi favorito de este programa es Glass Life (2021), un catálogo impresionante de imágenes de collage en vivo basadas en conceptos explorados por Shoshana Zuboff en su The Age of Surveillance Capitalism. Este destacado catálogo de Sara Cwynar está dispuesto en una mesa de trabajo en movimiento infinito, que toma prestado cut-ups, grabaciones en vivo, gifs animados, emojis, autorretratos, modelado 3D y varias otras fuentes.

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Film Festival Reports

ROTTERDAM 2022: AMMODO TIGER SHORT COMPETITION PT. 1

By José Sarmiento Hinojosa

The Ammodo Tiger Competition, a run of mid-length and short film program at IFFR, has focused its view in a particular experience of exploring new narratives in smaller formats. The experimental field in Rotterdam has been well represented with past winners such as Fox Maxy’s Maat Means Land (2020), Daïchi Saito’s Engram of Returning (2015), Observando el Cielo by Jeanne Liotta (2007)  or Dorian Jespers’ Sun Dog (2019), among many others. While we explore this first part of Ammodo’s competition, we began to find certain hidden surprises and other returning favorites.

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