Por David S. Blanco
Cerramos el último día del festival de cine de San Sebastián por todo lo alto. Y antes del reporte, mencionar que cerramos la competición por todo lo alto con la mejor cinta que ha clausurado el festival en los últimos cinco años que lo he visitado.
By Rebecca Naughten
Ostensibly a social realist drama, Beautiful Youth follows Natalia (an impressive performance by Ingrid García Jonsson) and Carlos (Carlos Rodríguez), two working class twenty-somethings each living with their respective mothers and caught up in Spain’s economic crisis with little hope of employment or future security. Natalia’s pregnancy becomes the central focus of the narrative as the demands of familial responsibility impact on the pair differently and push the couple to breaking point.
Por Mónica Delgado
¿Cuándo es que los jóvenes dejaron sus aspiraciones y de qué manera sus anhelos quedaron echados al agua bajo un velo de alienación e inacción? Más que de las consecuencias del desempleo y la crisis económica de España, lo que Jaime Rosales muestra en el desarrollo de su filme (…)
By Mónica Delgado
When did the young left their aspirations and how did their longing was tossed to the water in a veil of alienation and inaction? Going beyond the consequences of unemployment and economic crisis in Spain, what Jaime Rosales shows in the development of his film is an inquiry, from certain keys, of the motivations of two characters in their experience of being parents, despite their twenty years of more, through the strike and living on expenses of chance and money falling from the sky.
Director: Mónica Delgado Ch.
ISSN 2311-7451
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