Takashi Makino

Takashi Makino

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Q&A

TAKASHI MAKINO: “I HAVE A BIG INTEREST FOR THE IMAGE OF DREAMS AND IMAGINATION”

By Nicole Remy and José Sarmiento-Hinojosa

By chance, the last edition of Filmadrid coincided with the presentation of the work of Japanese filmmaker Takashi Makino and the travel of our collaborator Nicole Remy, who also received an honorable mention for her first experimental short Detenerte en el Pulso. We took advantage of this cosmic coincidence and sent Nicole to meet Takashi to talk about the early influences on his cinema, his methods, the change from analog to digital and his different collaborations in image and sound.

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Curtocircuíto

CURTOCIRCUÍTO 2018: AT THE HORIZON DE TAKASHI MAKINO Y MANUEL KNAPP

Por José Sarmiento Hinojosa

En lo que parece la manifestación poética de una turbulencia o una tormenta de nieve nivelada bajo la programación de vectores que nos ingresan y devuelven a través de distintas dimensiones, Takashi Makino y Manuel Knapp han realizado la que deba ser la mejor obra experimental del año.

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Diagonale

DIAGONALE 2018: AN OVERVIEW

By Dennis Vetter

Since 2016 the Diagonale has taken place under the direction of Sebastian Höglinger and Peter Schernhuber, who introduced the “In Referenz” programme as their most striking statement, a rail that should show lines of thought and spaces of possibility between the festival sections. Here, for example, film programmes comment on specific exhibitions, while Austrian productions meet international works or current perspectives meet historical ones. The section embodies a curatorial freedom within the program that is lacking in its consequence at many comparable events. A very welcome enrichment, then! And a call to search for connecting lines with a sharpened view, not to look at cinema in a vacuum, but to question its roots and obligations time and again. 

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Curtocircuíto

CURTOCIRCUÍTO 2017: ON GENERATION AND CORRUPTION DE TAKASHI MAKINO

Por José Sarmiento Hinojosa

Experimentar el trabajo del japonés Takashi Makino, cineasta experimental que viene trabajando con imágenes desde hace más de 15 años, es asistir a la declaratoria de un testimonio o manifiesto visual, aparato de resistencia con el que el cineasta viene desarrollando su estilo particular de artesanía visual que colisiona directamente con la experiencia metafísica o espiritual del espectador.

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Main Articles

A CONVERSATION: VERTICAL CINEMA

Julian Ross, Staff Writer at Desistfilm, sat down with two members of Sonic Acts, Lucas van der Velden and Gideon Kiers, to discuss screen formats, scale and the limitations they seek to conquer curating moving image media. The conversation continued with Japanese filmmaker Takashi Makino, with whom Lucas and Gideon collaborated for the film Deorbit (2013) as members of the Dutch media art group Telcosystems.

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