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Panorama
Cine latinoamericano

PANORAMA: ANASTASHA DE ANTONIO FORTUNIC

Por Mónica Delgado

Anastasha (1994), un falso documental peruano, y por ende, una clara intención de arrancar lo mejor de este subgénero desde la mofa, o el pastiche. Una actriz, que recuerda a la Gloria Swanson de Sunset Boulevard, es una supuesta actriz peruana que debido a su talento y versatilidad actuó en películas de los renombrados cineastas Luchino Visconti o Federico Babiloni, y que alcanzó el culto de diva

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2013.04.07
Críticas

NEW DIRECTORS/ NEW FILMS 2013

By Tristan Teshigahara Pollack

Matias Pineiro, a graduate from Universidad del cine (one of Argentina’s most prestigious universities), has a profound obsession with the uneventful. Although his films are replete with probing camera work, dialogue heavy sequences, convergences between theatre and film, and promiscuous diversions, his gifts as cinematic purveyor have been somewhat ignored by the festival circuit. In his realm, theatre is both source and subject.

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2013.04.01
Film Festival Reports

DIAGONALE: FESTIVAL OF AUSTRIAN FILM

By Claudia Siefen

This year’s «Diagonale“, Festival of Austrian Film, located in the city of Graz, provided a few heartfelt pulsing productions of austrian filmproduction. You have been simply on the safe side not going with the flow, to find yourself in the end on the right side. And then you have been not alone.

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2013.03.26
Críticas

PANORAMA: VERS MADRID BY SYLVAIN GEORGE

By José Sarmiento Hinojosa

After following illegal immigrants for three years in Calais, Sylvain George‘s work came to an initial praise among film critics: In fact,his diptych Qu’ils Reposent En Révolte (Des Figures De Guerre) and Les Éclats (Ma Gueule, Ma Révolte, Mon Nom), two films best understood as a single, individual work, were essential as pure depictions of the human factor that these wondering undocumented citizens represented, the whole issue of immigration put under a magnifying glass.

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2013.03.13
Críticas

PANORAMA: A BLUE BIRD, DE SEBASTIAN WESMAN

Por Mónica Delgado

 A través de siete capítulos, Sebastian Wesman (nacido en Argentina y residente en Estonia) nos introduce a una experiencia material y sonora: una iglesia, un violinista, el espacio y la música, en planos que capturan precisamente el acto de instrumentalizar, bajo los preceptos de la acústica.

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2013.03.11
Main Articles

PANORAMA: TRAVELING LIGHT BY GINA TELAROLI

By Jose Sarmiento

Traveling Light dwells on the subject of travel in all its metaphysical sense, either as a documentary of travel, as a recreation, or as a mixture of both. The departure, the sense of loss and moving away of territory, the longing and nostalgia of a simple voyage: Feelings and sensations piled up and captured by the artificial eye.

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2013.02.18
Main Articles

PANORAMA: WILD AND PRECIOUS BY BILL MOUSOULIS

By Mónica Delgado

Under the eye of a camera which follows its characters with the immediacy and texture of digital cinema, Bill Mousoulis proposes a fiction contextualized in the current Greek economic crisis, which works not as a backdrop for the film, but as a symbolic spleen for its lead character, an old Italian filmmaker drawn to the political chaos and social critique in Athens, desperate to document it, away from him family and friends.

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2013.02.18

desistfilm

Director: Mónica Delgado Ch.
ISSN 2311-7451

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