Céline Sciamma

Céline Sciamma

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Berlinale

BERLINALE 2021: ON FILMS BY ALEXANDER KOBERIDZE AND CÉLINE SCIAMMA

By Mónica Delgado

Both Petite Maman, by the French Céline Sciamma, and What do we see when we look at the sky?, by the Georgian Alexandre Koberidze, allow us to measure a sensitivity from the programming of festivals in relation to the pandemic crisis, which in addition to being economic, is also emotional. Is it that, from now on, films that show more than the optimistic future of humanity will pour over us? Are now these films of guilt and tragedy or those of beautiful human warmth “necessary” films?

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Cannes

CANNES 2019: PORTRAIT DE LA JEUNE FILLE EN FEU BY CÉLINE SCIAMMA

By Mónica Delgado

Céline Sciamma takes as an inspiration some imaginaries about sisterhood through the times, to appropriate them and return them inside a tal of a lesbian love at the end of XIX century. An abortion, a night gathering of women where they sing and meet around the fire, hallucinogenic potions which are absorbed when scrubbed in the skin appear in different passages of Portrait de la jeune fille en feu, her second film.

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Cannes

CANNES 2019: PORTRAIT DE LA JEUNE FILLE EN FEU

Por Mónica Delgado

Portrait de la jeune fille en feu es un gran avance en la carrera de esta directora francesa, y que ha demostrado con este film, que compite por la Palma de Oro, que puede ir del drama social y urbano a uno de ambientación de época y salir bien librada, ya que más allá de los géneros o estilos, se está perfilando como una cineasta de universos femeninos compactos y que busca empatar con las sensibilidades de tiempos actuales.

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