By John A. Riley
At one point in Tinker Tailor Soldier Spy, Kathy Burke’s dejected, alcoholic ex-secret service researcher is enthusing about the good old days. Gary Oldman’s George Smiley reminds her that she’s talking about the era of World War Two, and she responds, dewy-eyed: “a real war… Englishmen could be proud then.”
By Catherine Jessica Beed
Werner Herzog has always been interested in documenting the misfits of society, his films fascinated with outcasts and the complex extremities of human beings. With this project, Herzog draws to attention the very real and very sensitive matter of capital punishment, and further continues one of his journeys into exposing the human condition.
By Monica Delgado Sylvain George returns again to the black and white underworld of his previous documentary Qu’ils reposent en révolte (des figures de guerres), this
Por Mónica Delgado Festival films have practically become almost a genre of their own. And it is exactly within the tracking of these commonalities that
Por Mónica Delgado
Tabú es un filme de referencias al cine de antaño, un relato en dos partes marcadas («Paraíso perdido» y «Paraíso»). Es una oda a la nostalgia en blanco y negro, a la estética expresiva del cine silente, que cuenta con chispazos de humor brillante y una banda sonora sesentera y pop.
Director: Mónica Delgado Ch.
ISSN 2311-7451
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