Brand new talents ready to be discovered.
by José Sarmiento Hinojosa
The work of Hui-Yu can be seen as an exploration of the primary erotic impulses of humanity, not only as a personal occurrence, but as a phenomena that transports itself into mass media. Super Taboo (2016), his latest work, is a dual screen diptych that explores the erotic fantasies of his lead character, which manifests themselves as a giant tableau vivant, where several “scandalous” sex acts take place.
By Mónica Delgado
Frank Fu is a young filmmaker living between EEUU, Australia and China. With his first film, Orange Confucius, he comes across a multi-disciplinary artist with transgressive intentions.
By Andreea Patru
While most filmmakers use technique to create parallel universes or to conceive perfectly polished images, Douwe Dijkstra reveals his tools in order to demystify the art of cinema. Based in Netherlands, Douwe is an up and coming experimental filmmaker who is interested in exploring quotidian matters through the tools of mixed media. His last short film Voor Film (in English: Supporting Film) is a commissioned piece that premiered at Go Short – International Short Film Festival Nijmegen and got selected for the daring Lab Competition from the Clermont Ferrand Film Festival this year.
By José Sarmiento Hinojosa
Jeanne Liotta (New York, 1960) calls herself a “professional amateur”, and beyond that particular declaration there’s more than 30 years of amazing work in different fields of art. Of course, she’s better known as one of the best avant-garde filmmakers of all time, but her intertwined work that consists of installations, photography, field recordings and films transcend the experience of cinema in so many different ways. Desistfilm had a chance to talk to her about her initial “intuitions” as an artist, and how did she adapt to the different formats she ended up working with.
By José Sarmiento Hinojosa
Mother of three, self proclaimed feminist and prolific filmmaker, Jennifer Reeder has slowly shaped cinema into her own little invention, a craft that we can all love, relate to and appreciate. Desistfilm managed to steal some time from her, and we present to you our long and fun conversation.
By Mónica Delgado and José Sarmiento Hinojosa
One of the most intriguing works we watched at the last [S8] 5° Mostra de Cinema Periférico were the short films of visual artist and filmmaker Rei Hayama. A young japanese girl, Hayama’s intuition for a cinema of memory, of child-like wonder cathartic imagery and the exploration of the subconscious mind permeated in the celluloid texture of 8mm, was a refreshing look in an already stimulating exhibition. Desistfilm tracked her down and exchanged a couple of emails, which resulted in the following interview.
Kurdish Lover (2010) By José Sarmiento Hinojosa Today, it becomes fundamental to talk about the works of Clarisse Hahn. Few people in the history of cinema have blended the corporeality of the individual, the mere essence of the body, as a political statement and an ontological reality of certain societies within the confines of power […]
By Narda Liotine
Jan Philippe “JP” V. Carpio (Manila, Philippines) is a self-taught writer, filmmaker and performer living in Metro Manila, Philippines. He has been making films for over a decade and has written and directed several shorts and three feature length films shot on video: Girl of My Dreams (2000), Balay Dakû (2002), Hilo (thread)(2007). He is a National Commission for Culture and the Arts Cinema Grant Recipient for the first full length film in the Ilonggo language Balay Dakû, and many other awards. He is a believer and practitioner in cross training between the different art forms, having collaborated and performed with “Actors’ Pleygrawnd” and with dancer Vanni Liwanag. He currently teaches film and mass communication subjects at St. Paul University Manila and at the School of Design and Arts College of St. Benilde. He has also become a staff member of desistfilm.