Por Geraldine Salles Kobilanski
Mapa (España, 2012), una película-canción como la describió el propio Siminiani, es un film-diario, en el cual se exploran las reglas lingüísticas del cine a través del empleo de material autobiográfico, (re)definiendo nuevos territorios conceptuales en el cine de no ficción.
By John A. Riley
With his third film, Luis Buñuel set out to parody the vogue for exotic ethnographic travelogues while delivering bitterly satirical attacks on poverty and the supposed objectivity of ethnographic and anthropological observers. Buñuel read Maurice Legendre’s account of his experiences in Las Hurdes, Spain, and something about this fervent Catholic’s account of the remote, destitute region fired Buñuel’s creativity.
By José Sarmiento Hinojosa
After following illegal immigrants for three years in Calais, Sylvain George‘s work came to an initial praise among film critics: In fact,his diptych Qu’ils Reposent En Révolte (Des Figures De Guerre) and Les Éclats (Ma Gueule, Ma Révolte, Mon Nom), two films best understood as a single, individual work, were essential as pure depictions of the human factor that these wondering undocumented citizens represented, the whole issue of immigration put under a magnifying glass.
Por Mónica Delgado
A través de siete capítulos, Sebastian Wesman (nacido en Argentina y residente en Estonia) nos introduce a una experiencia material y sonora: una iglesia, un violinista, el espacio y la música, en planos que capturan precisamente el acto de instrumentalizar, bajo los preceptos de la acústica.
By Jose Sarmiento
Traveling Light dwells on the subject of travel in all its metaphysical sense, either as a documentary of travel, as a recreation, or as a mixture of both. The departure, the sense of loss and moving away of territory, the longing and nostalgia of a simple voyage: Feelings and sensations piled up and captured by the artificial eye.
By Mónica Delgado
Under the eye of a camera which follows its characters with the immediacy and texture of digital cinema, Bill Mousoulis proposes a fiction contextualized in the current Greek economic crisis, which works not as a backdrop for the film, but as a symbolic spleen for its lead character, an old Italian filmmaker drawn to the political chaos and social critique in Athens, desperate to document it, away from him family and friends.
By Jose Sarmiento
Manuli, who has been deeply involved with dance music since his first experimental works, seems to be more worried about expressing this dance culture as a basic element of this deliberately obscure film.
Por Mónica Delgado
The Runaway Troupe of the Cartesian Theater está formado por una serie de planos que construyen el espíritu de la ciudad y que gracias a la voz va adquiriendo una nueva fisonomía, como las escenas en blanco y negro de la mujer que canta en las escaleras del metro.
Por Geraldine Salles Kobilanski
El (im)pulso que orbita en el primer largometraje de los cineastas malagueños —con un recorrido de cortometrajes que ingresa en el perímetro de la ausencia— comprende una intensidad que se equilibra con la de un cineasta armenio que camina por calles secretas, prácticamente invisibles, a saber, Artavazd Peleshyan.
Por Mónica Delgado Un texto dramático, poético, literario, en boca y espíritu de los habitantes de un poblado donde el tiempo apenas pasa. La reflexión
Director: Mónica Delgado Ch.
ISSN 2311-7451
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