By José Sarmiento Hinojosa

Sarah Friedland is a filmmaker from California who’s been working in the intersection between performance and the moving image. This intersection, however, is specially arresting because of how she focuses on the quotidian and the political intertwined in public and private spaces, breaks up its elements and re-assembles the logical apparatus of individual and collective movement behind the camera, carefully choosing the vantage points which will connect with our perception.