Por Mónica Delgado

In Three Faces, Jafar Panahi takes some motifs from Abbas Kiarostami’s cinema as a way of making an homage. Like in the themes of his colleague’s films, Panahi stablishes a clash or interrelation between social classes, in a confrontation of the illustrated world and the rural world, but here about conceptions and prejudices about the role of women and the possibilities of development and freedom in the current world. Regarding his mise in scéne, the winks to The Wind Will Carry us or Through the Olive Trees are inevitable, through some panoramic shots that allows us to explore the landscape, the roads and precarious highways, and the characters that walk from far away.